https://schtinter.net schtinter.net Sun, 16 Mar 2025 17:08:04 +0000 https://schtinter.net en https://schtinter.net/home Tue, 26 Dec 2023 14:49:05 +0000 schtinter.net https://schtinter.net/home about, dates, publications, homeselected projects 2023, 26 &nbsp;&nbsp; Last Movies 2025 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Schneewittchen (Snow White) 2022– &nbsp; &nbsp; &nbsp;&nbsp; The Lock-In 2021–22 &nbsp;&nbsp; Important Books (or, Manifestos Read by Children) 2021 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Dear John / The Public Servant’s Favourite 2019 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Revolutionary Stamp2018 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Funeral of Diana, Princess of Wales 2.0&nbsp; &nbsp; &nbsp; &nbsp; (more) https://schtinter.net/about Tue, 26 Dec 2023 00:10:47 +0000 schtinter.net https://schtinter.net/about about, dates, publications, home Stanley Schtinter has been described as an ‘artist’ by the Daily Mail and as an ‘exorcist’ by the Daily Star. for film and video bookings contact Light Cone books by Schtinter will be sent free to any incarcerate anywhere in the world: send the title and the institution’s address&amp; to subscribe to mailing list &amp; if you are a young person priced out of an event you wish to attend &amp; for anything else (except ministry) WRITE&nbsp;mail@purge.xxx with subject heading: ‘FAO: The Institute for End Times Healing’ selected coverage Remapping the 20th Century (...)&nbsp;– Georg Szalai, Hollywood Reporter Profile&nbsp;– Morgan Quaintance, Art Monthly Schneewittchen&nbsp;– Arjun Sajip, Sight &amp; Sound Snow White is Tired&nbsp;– Alec Mapes-Frances, The Paris Review The Laughing Policeman: Stanley Schtinter’s Last Movies – Iain Sinclair, Sight &amp; Sound According to Stanley Schtinter, we get the get the films we deserve&nbsp;– Agnès Houghton-Boyle, Fetch&nbsp; Went to the cinema. Wept. Matchless entertainment – Juliet Jacques, ArtReviewThe Last Picture Shows – Ryan Gilbey, The Guardian The Last Sights&nbsp;– Sukhdev Sandhu, ProspectLast Films Before Dying – Yelizaveta Landenberger, Monopol (click for English transcript) Eastenders goes Warhol with a 100-hour bender in the Queen Vic – Jonathan Jones, The Guardian Time at the bar: how every scene in EastEnders’ Queen Vic pub became an epic film event&nbsp;– Matthew Harle, BFI A Void of Discovery – Matilda Munro, Sight &amp; Sound On the Liberated Film Club&nbsp;– Jonathan Rosenbaum, Screen Slate At the White Hotel – Anna Aslanyan, London Review of Books Mystery of the Diane Abbott stamps turning up on people’s letters&nbsp;– Hugo Gye, The Sun The Funeral of Diana, Princess of Wales 2.0&nbsp;– Tom Overton, London Review of Books Sick and disgraceful – Brendan McFadden, Daily Mail https://schtinter.net/dates Tue, 26 Dec 2023 14:30:44 +0000 schtinter.net https://schtinter.net/dates about, dates, publications, home 12.06.26– &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;THE LOCK-IN25.07.26 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Mediataidetila Sielu, Karkkila (more info)03.07.26 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES [film]&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Festival ECRÃ de Cinema e Arte Experimental, Rio (more info) 19.06.26 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES [film]&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Docs Ireland, Belfast (more info) 15.06.26 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Venice Biennale (more info) 15.06.26 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES [film] &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Mostra Internazionale del Nuovo Cinema, Pesaro (more info) 17.04.26 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES [film] &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Open City Documentary Festival at ICA, London (more info) 12.03– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; LAST MOVIES [film]15.03.26&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;CPH:DOX, Copenhagen (more info) 22.01– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; LAST MOVIES 23.01.26&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Greek Film Archive, Athens (more info) 12.12.26 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SCHNEEWITTCHEN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Batalha Centro do Cinema, Porto (more info) 07.2025– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; LIBERATED FILM CLUB 07.2026 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Close-Up Film Centre, London&nbsp;(more info) 26.09.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SIRENS, SEX &amp; CENSORSHIP *lecture*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Sir John Soane’s Museum, London (more info)24.09.25&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;THE LOCK-IN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Bonniers Konsthall, Stockholm23.09.25&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;LAST MOVIES&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Please Dome at Zita Folkets Bio, Stockholm 30.08.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SIRENS, SEX &amp; CENSORSHIP *lecture* &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Cinema Galleggiante (Floating Cinema), Venice&nbsp;(more info) 23.05.25– &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;THE LOCK-IN27.05.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;TANKtv (more info)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 13.05.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SCHNEEWITTCHEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Deutsches Filminstitut &amp; Filmmuseum (more info)08.05.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES + HOTEL BARDO + THE LOCK-IN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Cinema Nova, Brussels (more info) 29.04.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SCHNEEWITTCHEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Dundee Contemporary Arts (more info) 26.04.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SCHNEEWITTCHEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Glasgow Film Theatre (more info) 24.04.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SCHNEEWITTCHEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Tyneside Cinema, Newcastle (more info)17.04.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SCHNEEWITTCHEN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Watershed, Bristol (more info) 28.03– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;SCHNEEWITTCHEN *trailer*28.09.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; CAPC - Musée d’art contemporain, Bordeaux (more info) 09.04– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;SCHNEEWITTCHEN11.04.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Close-Up Film Centre, London (more info) 28.03.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;SCHNEEWITTCHEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Chicago Film Society (more info) 20.03–&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;SCHNEEWITTCHEN 24.03.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;Anthology Film Archives, New York City (more info) 22.02.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;THE LOCK-IN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Barbican Centre, London (more info) 20.02.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SCHNEEWITTCHEN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Cinemateca Portuguesa - Museo do Cinema, Lisbon (more info) 12.02.25 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SCHNEEWITTCHEN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;BFI Southbank, London (more info) 25.12.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; POLARI BIBLE: GENESIS (PART DOOEY) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Resonance FM (more info) 11.12.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; WHS Teatteri Union, Helsinki (more info) 04.12– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; LAST MOVIES08.12.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Panorama (INLaguna Film Festival), Venice (more info) 12.10.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp; &nbsp; SCHNEEWITTCHEN *preview*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Filmmuseum München (UnderDox, Munich) (more info) 15.09.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; FUNERAL OF DIANA, PRINCESS OF WALES 2.0&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Séance Film Festival, Pennsylvania&nbsp;(more info) 15.06.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;AN EVENING WITH... DREAMACHINE, LAST MOVIES, THE LOCK-IN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Filmhaus, Cologne (more info)&nbsp; 15.06.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;THE LOCK-IN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Les Voûtes, Paris (more info) 25.05.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;THE LOCK-IN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Close-Up Film Centre, London (more info) 17.05– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; THE LOCK-IN18.05.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Monokino, Ostend (more info) 04.05– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; LAST MOVIES05.05.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Batalha Centro do Cinema, Porto (more info) 31.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Watershed, Bristol (more info)28.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES *unfinished films*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Close-Up Film Centre, London (more info) 24.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Watershed, Bristol (more info)23.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES *24-hour presentation* &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; ZDB Galeria Zé dos Bois, Lisbon (more info) 17.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Watershed, Bristol (more info) 12.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES w/CM von Hausswolff&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ICA, London (more info) 10.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Watershed, Bristol (more info) 08.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES *book launch* &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Bookhaus, Bristol (more info) 03.03.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Watershed, Bristol (more info)23.02.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES *audiobook*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Montez Press Radio (more info) 14.02.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES w/Elena Gorfinkel&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ICA, London (more info)14.02.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES w/Gareth Evans *talk*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Resonance FM (more info) 11.02.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;WINSTANLEY w/Kevin Brownlow *talk*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Close-Up Film Centre, London (more info) 02.02.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SCHNEEWITTCHEN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;IFFR, Rotterdam (more info) 30.01.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES w/Adrian Dannatt&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ICA, London (more info)29.01.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SCHNEEWITTCHEN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;IFFR, Rotterdam (more info) 27.01.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SCHNEEWITTCHEN *festival premiere*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;IFFR, Rotterdam (more info)27.01.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES *audiobook*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Montez Press Radio (more info) 12.01– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; LAST MOVIES 13.01.24 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Terrassen, Copenhagen (more info) 31.12.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;POLARI BIBLE: GENESIS (PART UNA) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Resonance FM (more info) 25.12.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;POLARI BIBLE: GENESIS (PART UNA) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Resonance FM (more info) 12.12.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;LAST MOVIES w/Chris Petit&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ICA, London (more info) 09.12.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;LAST MOVIES (durational presentation) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Corpus Christi Chapel, PAF Olomouc (more info) 23.11– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;OTO XXX (purge.xxx residency) 25.11.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;Cafe Oto, London (more info) 22.11.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;LAST MOVIES (UK premiere + publication)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ICA, London (more info) 21.11.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;JOURNEY TO AVEBURY&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Théâtre Berthelot,&nbsp;Montreuil (more info) 18.11.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;HOTEL BARDO @ SEVEN ROOMS (presentation) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Forma, London (more info) 05.11.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SHAME &amp; DIGNITY: AN EVENING WITH STANLEY SCHTINTER&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;(W/SUKHDEV SANDHU) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; UnionDocs, NYC&nbsp;(more info) 04.11.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LAST MOVIES (US premiere + publication)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Light Industry, NYC (more info) 29.04– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; TOWARDS THE LAST MOVIES 30.04.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;Batalha Centro do Cinema, Porto (more info) 17.04.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;JOURNEY TO AVEBURY &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Stone Club, London (more info) 11.03– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; JOURNEY TO AVEBURY (premiere)26.03.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;Alexander Keiller Museum, Avebury (more info) 15.02.23 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;SWEDENBORG REVIEW 0.04 LAUNCH EVENT &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Swedenborg Hall, London (more info) 21.12.22 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; AVEBURY *release* &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;purge.xxx (more info) 12.11.22 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; JOURNEY TO AVEBURY (preview) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Whitechapel Gallery, London (more info) 13.10.22&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;DREAMACHINE (35mm) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Belo Horizonte Int’l Short Film Festival (more info) 22.09–&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;LIGHT CONE SCRAPBOOK 09.10.22 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;25 FPS Festival, Zagreb (more info) 01.07–&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; THE LOCK-IN 31.07.22 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;Barbican Centre (more info) 01.06– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp;THE LOCK-IN 01-07.22 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;The Globe in Morning Lane; Queen Adelaide;&nbsp;The Anchor &amp; Hope;&nbsp;The Hare; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp;The Palm Tree;&nbsp;Turner’s Old Star;&nbsp;Biddle Brothers;&nbsp;The Bow Bells; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; The Old Ship; The Wentworth Arms; The Gun, all London (more info) 09.06– &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; LIGHT CONE SCRAPBOOK 29-06.22 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Rue Antoine Gallery, Paris (more info) 05–08.05.22 &nbsp; &nbsp; &nbsp; &nbsp; THE LOCK-IN&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;International Short Film Festival Oberhausen (more info) 03.05.21–&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;IMPORTANT BOOKS (OR, MANIFESTOS READ BY CHILDREN)02.05.22&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Whitechapel Gallery, London (more info) 04.05.21 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;IMPORTANT BOOKS (OR, MANIFESTOS READ BY CHILDREN) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;DUUU Radio (originally broadcast on Montez Press Radio, July 2021) (more info) 12.04.22 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;NIDDER &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Cinema Utopia, Bordeaux (more info) 25.12.21 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;BOOK OF REVELATION READ BY A 9-YR-OLD GIRL FROM SHROPSHIRE *release* &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;purge.xxx / premiere on Resonance FM (more info) 05.11.21 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;FUNERAL OF DIANA, PRINCESS OF WALES 2.0 *release* &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;purge.xxx (more info) 23.10.21&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;THE LIBERATED FILM CLUB&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;book publication; events at Close-Up Film Centre (more info) + LUX (more info)30.06.21&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;REVOLUTIONARY LIST (4) VENICE BIENNALE&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Governmental Fires – Futura, Prague (more info) 22.06.21&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;THE COMMUNIST MANIFESTO READ BY AN 8-YR-OLD BOY FROM S.E. LONDON &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Montez Press Radio (more info) 22.05–13.06.21 &nbsp; &nbsp;JOHN ON THE VOID&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Estuary Festival (more info)05.05.21 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; THE COMMUNIST MANIFESTO READ BY AN 8-YR-OLD BOY FROM S.E. LONDON *release*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;purge.xxx (more info) 01–10.05.21&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;JOHN ON THE VOID *premiere*&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;International Short Film Festival Oberhausen (more info) 25.06.20 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;REVOLUTIONARY LIST (3) GLASTONBURY 50&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Glastonbury Festival, Somerset __.__.__ &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; THE MACHINE STOPS&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;open letter on the end of the Liberated Film Club (more info) 31.01.20 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;THE FILM NOT THE COUNTRY&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;New York University, New York&nbsp; 31.01.20 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;THE FILM NOT THE COUNTRY&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Close-Up Film Centre, London 11.01.20 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; HOTEL BARDO&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; ICA, London Short Film Festival 10.01–01.03.20&nbsp; &nbsp; DREAMACHINE&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Til Vægs, Copenhagen 17.12.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; ACCIÓ SANTOS: THE WORKS OF CARLES SANTOS&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Cafe Oto, London 16.12.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;NIDDER&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Cinéma Le Bretagne, Guichen 15.11.19 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LIBERATED FILM CLUB with Dennis Cooper&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Close-Up Film Centre, London 31.10.19 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; FESTIVAL OF GREAT BRITAIN AND NORTHERN IRELAND&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;The White Hotel, Salford 12.10.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; DREAMACHINE + OTHER INTERRUPTIONS&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Wilmink Theater, Enschede 06.10.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; REVOLUTIONARY LIST (2) THE BA 100&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Ankerwycke Yew, Berkshire 26.09.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; LIBERATED FILM CLUB with Laura Mulvey&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Close-Up Film Centre, London 16.08.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; LIBERATED FILM CLUB with Adam Christensen&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Close-Up Film Centre, London 19–30.06.19&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; HOTEL BARDO&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Edinburgh International Film Festival 21.05.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; NIDDER (W.I.P.)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Studio des Ursulines, Paris 04.05.19&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; HOTEL BARDO&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; International Short Film Festival Oberhausen 17–23.04.19&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; NIDDER (W.I.P.); DREAMACHINE&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Al-Qamar, Wadi Rum 28.03.19&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; BRX-XXX (WHATEVER IT IS WE’RE AGAINST IT) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Liberated Films by Stanley Schtinter and Susu Laroche &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Whitechapel Gallery, London 24.03.19 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; NOTES TOWARDS A FILM DOCUMENTING PRINCESS&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; DIANA’S SECOND FUNERAL&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Fabrica Gallery, Brighton&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;02.03.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; NOTES TOWARDS A FILM DOCUMENTING PRINCESS&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; DIANA’S SECOND FUNERAL&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Turner Contemporary, Margate &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 23.02.19 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;NOTES TOWARDS A FILM DOCUMENTING PRINCESS&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;DIANA’S SECOND FUNERAL&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Photographer’s Gallery, London 18.12.18&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;DREAMACHINE&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Ecole des Beaux-arts, Paris 30.11.18 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;REVOLUTIONARY LIST (1) TUMBRELS IN THE MALL&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Passos Manuel, Porto 06.09.18 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;FUNERAL OF DIANA, PRINCESS OF WALES 2.0&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;The White Hotel, Salford https://schtinter.net/publications Sun, 16 Mar 2025 17:08:04 +0000 schtinter.net https://schtinter.net/publications about, dates, publications, home Snow, Always Snow* (Tenement Press / Harry Caul, 2025) <img width="600" height="926" width_o="600" height_o="926" data-src="https://freight.cargo.site/t/original/i/c941371f09b7d645152098df350a3241769a5a85a423d13eb0b6be12ec7175a8/TenementPress_SnowAlwaysSnow_Cover_v2.jpg" data-mid="228316459" border="0" data-scale="74" src="https://freight.cargo.site/w/600/i/c941371f09b7d645152098df350a3241769a5a85a423d13eb0b6be12ec7175a8/TenementPress_SnowAlwaysSnow_Cover_v2.jpg" /> *A Conversation Between Stanley Schtinter &amp; Gareth Evans on the Implications &amp; Associations Relative to a Film, Schneewittchen ISBN: 978-1-917304-07-8114ppDesigned and typeset by Traven T. CrovesPublished 20th March 2025tenementpress.com/Always-Snow schneewittchen.cloud &nbsp; &nbsp; *Talk of Brechtian distanciation, critiquing the culture industry, anti-capitalist stances, anti-spectacular image making and so on connects Schtinter to a critical tradition that may, in some ways, seem classically modernist. That is to say, there is an intention behind all of the work and a belief in something better for audiences and artists alike.Schtinter’s newest moving-image work is Schneewittchen, 2025, a feature-length, palimpsestic retelling of Snow White. The film features almost no footage and is instead centred on an English-language audio recording of the Swiss writer Robert Walser's titular German play (published in 1901), itself a reworking of the Brother’s Grimm fairy tale (published in 1812). Schtinter’s film, with its minimal visual content composed largely of a black screen, interspersed with seemingly unrelated shots of passing clouds, is formally also a remake of the Portuguese director João César Monteiro’s feature film, Branca de Neve / Snow White (2000), which performed the same feat with a Portuguese-language version of Walser’s play. A remake of a remake of a remake, then. While on the surface another puckish engagement with cultural production, Schtinter’s film nevertheless functions as both a challenge to the culture industry’s amnesiac thirst for endless remakes of commercial dross and as a kind of Brechtian confrontation with the spectacular expectations imposed on a patronised viewing public (the two are intimately bound up with each other). The project further frustrates the conventions of easy access required of moving image works, which must now be available for dissemination in a myriad of digital forms, many of which make it at least feasible for the viewing public to watch works as isolated individuals in their own homes. Schtinter's film will, according to the artist, ‘only ever show in analogue format, so it will always be an event to travel to and never streaming or screening digitally.’ For Schtinter, the political power of collective viewing is something worth fighting for. &nbsp; &nbsp; —Morgan Quaintance, Art Monthly The Lock-In by Stanley Schtinter (Tamara Press, 2025) <img width="1231" height="1224" width_o="1231" height_o="1224" data-src="https://freight.cargo.site/t/original/i/2f4aaa186a0bbad13eb42b42c6f451b7409832df41fa0b856350282812986d57/lock-a.png" data-mid="228316337" border="0" data-scale="77" alt="1 / 7" data-caption="1 / 7" src="https://freight.cargo.site/w/1000/i/2f4aaa186a0bbad13eb42b42c6f451b7409832df41fa0b856350282812986d57/lock-a.png" /> <img width="1231" height="1224" width_o="1231" height_o="1224" data-src="https://freight.cargo.site/t/original/i/04c8f38ed528b380f75dd8b4fe05a62b10aedfbc04100ef96f14da7a4db92122/lock-b.png" data-mid="228316339" border="0" alt="2 / 7" data-caption="2 / 7" src="https://freight.cargo.site/w/1000/i/04c8f38ed528b380f75dd8b4fe05a62b10aedfbc04100ef96f14da7a4db92122/lock-b.png" /> <img width="1231" height="1224" width_o="1231" height_o="1224" data-src="https://freight.cargo.site/t/original/i/469076c475bd55ccd62f9b51123438b86f415bf0538aa6121711dbf20c0a79c5/lock-c.png" data-mid="228316340" border="0" alt="3 / 7" data-caption="3 / 7" src="https://freight.cargo.site/w/1000/i/469076c475bd55ccd62f9b51123438b86f415bf0538aa6121711dbf20c0a79c5/lock-c.png" /> <img width="1231" height="1224" width_o="1231" height_o="1224" data-src="https://freight.cargo.site/t/original/i/bc2ea192611a21cf5aa148ce0141bc17d668831f9d847a3931228075569837ad/lock-d.png" data-mid="228316341" border="0" alt="4 / 7" data-caption="4 / 7" src="https://freight.cargo.site/w/1000/i/bc2ea192611a21cf5aa148ce0141bc17d668831f9d847a3931228075569837ad/lock-d.png" /> <img width="1231" height="1224" width_o="1231" height_o="1224" data-src="https://freight.cargo.site/t/original/i/be8e1e16a7d8a584aa3dabe4f2ecb014efef3e8ff1b22acfb498bb6dbcd02e39/lock-g.jpg" data-mid="228316344" border="0" alt="5 / 7" data-caption="5 / 7" src="https://freight.cargo.site/w/1000/i/be8e1e16a7d8a584aa3dabe4f2ecb014efef3e8ff1b22acfb498bb6dbcd02e39/lock-g.jpg" /> <img width="1231" height="1224" width_o="1231" height_o="1224" data-src="https://freight.cargo.site/t/original/i/d60af851bbbf4b7b16f5ba8c9b862753fb49ac62374075ad1f1ec0527c40e20a/lock-f.png" data-mid="228316343" border="0" alt="6 / 7" data-caption="6 / 7" src="https://freight.cargo.site/w/1000/i/d60af851bbbf4b7b16f5ba8c9b862753fb49ac62374075ad1f1ec0527c40e20a/lock-f.png" /> <img width="1231" height="1224" width_o="1231" height_o="1224" data-src="https://freight.cargo.site/t/original/i/fbc39c96eace9a0a09a97d03385f9d3fe38921877cb5d4bdc0ec0aba83a44e61/lock-e.png" data-mid="228316342" border="0" alt="7 / 7" data-caption="7 / 7" src="https://freight.cargo.site/w/1000/i/fbc39c96eace9a0a09a97d03385f9d3fe38921877cb5d4bdc0ec0aba83a44e61/lock-e.png" /> with Iain Sinclair, Chris Petit, Anne Billson, Therese Henningsen, Anouk De Clercq and Gareth EvansISBN:&nbsp;978-1-0684014-0-492 pp / 192 x 297mmDesigned and typeset by Traven T. CrovesPublished 20th February 2025 tamara.press &nbsp; &nbsp; *‘An epic film . . . the Warholian result is a spellbinding – and frequently baffling – meditation on time.’&nbsp; &nbsp; —Jonathan Jones, The Guardian‘Amazing project!’&nbsp; &nbsp; —Joanna Hogg ‘An epic film . . . the Warholian result is a spellbinding – and frequently baffling – meditation on time.’&nbsp; &nbsp; —Jonathan Jones, The Guardian‘Interesting project!’ &nbsp; —Anita Dobson [Angie Watts] ‘The Lock-In when shown in pubs is Marcel Duchamp's urinal for the meta-saturated 21st century. But in this case, artist Stanley Schtinter has put the urinal back into the toilet.’&nbsp; &nbsp; —Gareth Evans, Adjunct Moving Image Curator, Whitechapel Gallery‘A Buñuelian nightmare in which it’s your round, every round, for the rest of time.’&nbsp; &nbsp; —Dan Fox‘You feel pissed just watching it.’&nbsp; &nbsp; —Matthew Harle, Sight &amp; Sound Last Movies by Stanley Schtinter (Tenement Press, 2023) <img width="2566" height="1690" width_o="2566" height_o="1690" data-src="https://freight.cargo.site/t/original/i/15c13afa09ff3c3fc4e8e9d8ec167761b6d7f3c34f32831f514153a48783dc2b/Screenshot-2024-05-09-at-11.56.23.png" data-mid="228315084" border="0" data-scale="78" alt="1 / 4" data-caption="1 / 4" src="https://freight.cargo.site/w/1000/i/15c13afa09ff3c3fc4e8e9d8ec167761b6d7f3c34f32831f514153a48783dc2b/Screenshot-2024-05-09-at-11.56.23.png" /> <img width="676" height="1024" width_o="676" height_o="1024" data-src="https://freight.cargo.site/t/original/i/0c972e69137c372c464bedf6b6f718c72e0d04161cfa102fd32b5e2b67e68d34/Screenshot-2023-12-26-at-00.45.36.png" data-mid="228315083" border="0" alt="2 / 4" data-caption="2 / 4" src="https://freight.cargo.site/w/676/i/0c972e69137c372c464bedf6b6f718c72e0d04161cfa102fd32b5e2b67e68d34/Screenshot-2023-12-26-at-00.45.36.png" /> <img width="1644" height="2524" width_o="1644" height_o="2524" data-src="https://freight.cargo.site/t/original/i/a9fb8064f1a761b8982fbae3b49292388a073c07a061e5dcbc09578caba6a08f/last-movies-book-2-copy.jpeg" data-mid="228315085" border="0" alt="3 / 4" data-caption="3 / 4" src="https://freight.cargo.site/w/1000/i/a9fb8064f1a761b8982fbae3b49292388a073c07a061e5dcbc09578caba6a08f/last-movies-book-2-copy.jpeg" /> <img width="1623" height="2514" width_o="1623" height_o="2514" data-src="https://freight.cargo.site/t/original/i/8daf514c78a3bf502cd43c7859576d7b365a0a719848a5257a225d77f78409eb/last-movies-book-3.jpeg" data-mid="228315086" border="0" data-scale="64" alt="4 / 4" data-caption="4 / 4" src="https://freight.cargo.site/w/1000/i/8daf514c78a3bf502cd43c7859576d7b365a0a719848a5257a225d77f78409eb/last-movies-book-3.jpeg" /> with a Foreword (Programme Notes) by Erika Balsom; an ‘Intermission’ from Bill Drummond; &amp; an Afterword by Nicole BrenezISBN: 978-1-7393851-1-8324pp / 140 x 216mmDesigned and typeset by Traven T. CrovesPublished 5th November 2023tenementpress.com/Last-Movies Image 1 : big-black-hard edition with glow-in-the-dark John Dillinger photographed on a cinema seat at Palads in Copenhagen by Therese Henningsen; Image 2 : big-black-hard close-up; Image 3+4 : yellowjacket&nbsp; &nbsp; * Very strange, and deeply thought-provoking.&nbsp; &nbsp; —Laura Mulvey A scintillating labyrinth of synchronicities, where Schtinter’s meticulous research and encyclopaedic knowledge are as impressive as his intriguing speculations. Essential reading for film buffs, conspiracy theorists and high-end pub quizzers everywhere.&nbsp; &nbsp; —John Smith All films are haunted, both by the immortal light of the sooner-or-later dead that they curate, and by the filaments of meaning they extrude into unscripted human lives. Last Movies is an unexpectedly revealing catalogue of final interchanges between imminent ghosts and counterpart electric spectres on the screen’s far side. Profound and riveting, Schtinter’s graveyard perspective offers up a rich and startlingly novel view of cinema, angled through cemetery gates before the closing credits. A remarkable accomplishment.&nbsp; &nbsp; —Alan MooreWade more than a dozen pages into Last Movies and these connections start to reveal themselves like constellations on a cloudless night.&nbsp; &nbsp; —Ryan Gilbey, The Guardian Here is the endgame of endgames. A commendably perverse demonstration of how it is possible for something to be assimilated, by way of rumour and manipulated history, without being experienced. &nbsp; &nbsp; —Iain Sinclair, Sight &amp; Sound The Liberated Film Club by Stanley Schtinter (Tenement Press, 2021) <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/6fc444718ccd3f2dc799ad18a82bafe178a78053cc1f1a9440bfbe2d9a03bf12/IMG_3908.JPG" data-mid="228315074" border="0" data-scale="90" alt="1 / 2" data-caption="1 / 2" src="https://freight.cargo.site/w/1000/i/6fc444718ccd3f2dc799ad18a82bafe178a78053cc1f1a9440bfbe2d9a03bf12/IMG_3908.JPG" /> <img width="1052" height="1482" width_o="1052" height_o="1482" data-src="https://freight.cargo.site/t/original/i/95b27d710cc3a6916a9ca23c9a830d4ef67f2bd26379b921c36fccd2da67a6f6/Screenshot-2022-04-30-at-11.54.06.png" data-mid="228315075" border="0" alt="2 / 2" data-caption="2 / 2" src="https://freight.cargo.site/w/1000/i/95b27d710cc3a6916a9ca23c9a830d4ef67f2bd26379b921c36fccd2da67a6f6/Screenshot-2022-04-30-at-11.54.06.png" /> with John Akomfrah, Chloe Aridjis, Dennis Cooper, Laura Mulvey, Chris Petit,&nbsp;Mania Akbar,&nbsp;Elena Gorfinkel, Juliet Jacques, Ben Rivers, Dan Fox, Sean Price Williams, Adam Christensen, Stewart Home,&nbsp;Stephen Watts,&nbsp;Tony Grisoni, Gideon Koppel,&nbsp; Astra Taylor, Miranda Pennell,&nbsp;Gareth Evans, Adam Roberts, Tai Shani, Anna Thew,&nbsp;Xiaolu Guo, Andrea Luka Zimmerman, William Fowler,&nbsp;Athina Tsangari,&nbsp;John Rogers,&nbsp;Shama Khanna,&nbsp;Shezad Dawood,&nbsp;Damien SanvilleISBN: 978-1-8380200-3-3 408 pp / 140 x 216mmDesigned and typeset by Traven T. CrovesPublished 23rd October 2021 tenementpress.com/Liberty &nbsp; &nbsp; *Read Jonathan Rosenbaum’s review for Screen Slate here Schtinter runs with wolves. His Liberated Film Club was, throughout its brief, perfect existence, the antidote to contemporary cinephilia. It was impious and sexy, mysterious and unsober, a ululatory free zone for refuseniks, a place of magic and mayonnaise. If you never made it to one of its mad, baffling nights, this book is guaranteed to make your loss all the more deliciously unbearable.&nbsp; &nbsp; —Sukhdev Sandhu Herein lies the Exquisite Corpse of The Liberated Film Club, to align in ways you never would have expected and in order to show you something new.&nbsp; &nbsp; —Matilda Munro, Sight &amp; Sound This is a chronicle of addiction, written blindfold by the light of a flickering screen to a soundtrack of Russian roulette loaded against prediction.&nbsp; &nbsp; —Brian Catling There are more and more curators of experimental cinema, which is great; but unfortunately still few experimental curators. Stanley Schtinter offers us a fascinating and liberating example.&nbsp; &nbsp; —Nicole Brenez https://schtinter.net/schneewittchen Tue, 26 Dec 2023 23:44:16 +0000 schtinter.net https://schtinter.net/schneewittchen 2025 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; SchneewittchenSchneewittchen (Snow White) is a feature-length film adaptation of Robert Walser’s disenchanted fairytale. Julie Christie plays the Queen, Toby Jones the Prince, Stephen Dillane the King, Hanns Zischler the Hunter, and Stacy Martin Snow White. The cinematography is by Sean Price Williams, and the sound is by Joshua Bonnetta. Released in 2025, the trailer can be viewed here and for more information, including tour dates, merchandise, and the accompanying book: schneewittchen.cloud A parable for our post-truth times, Schtinter’s film provokes reflection on the ontology of a tale as it travels across languages, mediums, geographies and eras.&nbsp;(Srikanth Srinivasan, IFFR) (back) https://schtinter.net/last-movies Thu, 16 May 2024 17:42:50 +0000 schtinter.net https://schtinter.net/last-movies 2023, 26 &nbsp;&nbsp; Last Movies <img width="700" height="886" width_o="700" height_o="886" data-src="https://freight.cargo.site/t/original/i/a97f219285a4c5b0452a32df85085f30a3561409e92e112af480fe904fbd41c1/jfk_upsideDown.jpeg" data-mid="211076183" border="0" data-scale="47" src="https://freight.cargo.site/w/700/i/a97f219285a4c5b0452a32df85085f30a3561409e92e112af480fe904fbd41c1/jfk_upsideDown.jpeg" /> <img width="1512" height="2016" width_o="1512" height_o="2016" data-src="https://freight.cargo.site/t/original/i/4c7ec68afbf22978aabb8965fc117ba91e99365312b00e9416c1574dd1d7f865/IMG_0471.jpg" data-mid="212066605" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/4c7ec68afbf22978aabb8965fc117ba91e99365312b00e9416c1574dd1d7f865/IMG_0471.jpg" /> <img width="1518" height="1152" width_o="1518" height_o="1152" data-src="https://freight.cargo.site/t/original/i/a4f34c2743244e0eeac3a48745844d97a3e52a7a18b7a953098a4b482944f796/Screenshot-2024-05-16-at-20.05.37.png" data-mid="211077042" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/a4f34c2743244e0eeac3a48745844d97a3e52a7a18b7a953098a4b482944f796/Screenshot-2024-05-16-at-20.05.37.png" /> Last Movies remaps the century of cinema according to the final films watched by some of its cultural icons, giving an audience the opportunity to ‘see what those who see no more last saw’. Last Movies is a publication (Tenement Press, 2023), film programme and feature-length documentary film. Programme notes authored by Erika Balsom can be viewed here. The book can be ordered here in paperback and here in hardback, with ‘last words’ by Nicole Brenez and an ‘intermission’ by Bill Drummond. Last Movies premiered at Light Industry in NYC on 4 November, and had a monthly residency at the ICA in London (22 November 2023—12 March 2024). Screenings continue and are listed along with press and more information at&nbsp;Tenement Press.The Last Movies movie will be released in 2026, with first screenings at CPH:DOX and Open City Documentary Festival. (back) <img width="3347" height="4961" width_o="3347" height_o="4961" data-src="https://freight.cargo.site/t/original/i/f61953fd70942e55bf84ad34ce4b3dc54d351179b1e2d3f4eafbe7462846303d/3-20-000-YEARS-IN-SING-SING--Rainer-Werner-Fassbinder-Courtesy-Stanley-Schtinter.jpg" data-mid="211076252" border="0" data-scale="31" alt="1 / 3" data-caption="1 / 3" src="https://freight.cargo.site/w/1000/i/f61953fd70942e55bf84ad34ce4b3dc54d351179b1e2d3f4eafbe7462846303d/3-20-000-YEARS-IN-SING-SING--Rainer-Werner-Fassbinder-Courtesy-Stanley-Schtinter.jpg" /> <img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/47848ab9b006e74a37cec10812e97d64e9e894e9d50c7a911fb5fc0e04ac192b/4-February-14-THE-PIANO--Kurt-Cobain-Courtesy-Stanley-Schtinter.jpg" data-mid="211076187" border="0" data-scale="35" alt="2 / 3" data-caption="2 / 3" src="https://freight.cargo.site/w/1000/i/47848ab9b006e74a37cec10812e97d64e9e894e9d50c7a911fb5fc0e04ac192b/4-February-14-THE-PIANO--Kurt-Cobain-Courtesy-Stanley-Schtinter.jpg" /> <img width="3295" height="4961" width_o="3295" height_o="4961" data-src="https://freight.cargo.site/t/original/i/74281e037fa8b1d0e652bfc717e2adc61940c3533f1a6650256cf880bb6e5e23/3-January-30-SECRETS---LIES--Heaven-s-Gate---unfortunately-no-higher-resolution-for-this-one-exists-Courtesy-Stanley-Schtinter.jpg" data-mid="211076190" border="0" data-scale="33" alt="3 / 3" data-caption="3 / 3" src="https://freight.cargo.site/w/1000/i/74281e037fa8b1d0e652bfc717e2adc61940c3533f1a6650256cf880bb6e5e23/3-January-30-SECRETS---LIES--Heaven-s-Gate---unfortunately-no-higher-resolution-for-this-one-exists-Courtesy-Stanley-Schtinter.jpg" /> <img width="1768" height="1328" width_o="1768" height_o="1328" data-src="https://freight.cargo.site/t/original/i/d7831ada81d25b41ffb2301161e02b824e9ed17df91e9cdb4bc521b980ed49d2/Screenshot-2024-05-16-at-20.15.01.png" data-mid="211078007" border="0" alt="1 / 6" data-caption="1 / 6" src="https://freight.cargo.site/w/1000/i/d7831ada81d25b41ffb2301161e02b824e9ed17df91e9cdb4bc521b980ed49d2/Screenshot-2024-05-16-at-20.15.01.png" /> <img width="988" height="1324" width_o="988" height_o="1324" data-src="https://freight.cargo.site/t/original/i/fb77282f1001d76cc749c816fe5edc00fb28541b32a9cc3aa07d11c8660624d0/Screenshot-2024-05-16-at-20.13.40.png" data-mid="211077942" border="0" data-scale="68" alt="2 / 6" data-caption="2 / 6" src="https://freight.cargo.site/w/988/i/fb77282f1001d76cc749c816fe5edc00fb28541b32a9cc3aa07d11c8660624d0/Screenshot-2024-05-16-at-20.13.40.png" /> <img width="982" height="1330" width_o="982" height_o="1330" data-src="https://freight.cargo.site/t/original/i/a66b1dc16714faf6fc3fdcef5c2d8c803d8c210499673d076b7cf17a3ab9f9ab/Screenshot-2024-05-16-at-20.14.18.png" data-mid="211078006" border="0" data-scale="68" alt="3 / 6" data-caption="3 / 6" src="https://freight.cargo.site/w/982/i/a66b1dc16714faf6fc3fdcef5c2d8c803d8c210499673d076b7cf17a3ab9f9ab/Screenshot-2024-05-16-at-20.14.18.png" /> <img width="1270" height="1708" width_o="1270" height_o="1708" data-src="https://freight.cargo.site/t/original/i/1fa9f44a02993a05ec24db852ce13b2ea90392bcbad7663055a4c725c1bce5dc/Screenshot-2024-05-16-at-20.12.17.png" data-mid="211077944" border="0" data-scale="68" alt="4 / 6" data-caption="4 / 6" src="https://freight.cargo.site/w/1000/i/1fa9f44a02993a05ec24db852ce13b2ea90392bcbad7663055a4c725c1bce5dc/Screenshot-2024-05-16-at-20.12.17.png" /> <img width="1376" height="1838" width_o="1376" height_o="1838" data-src="https://freight.cargo.site/t/original/i/ce0b227a0dda62a5177f56002d5178b8604236f240eb7163daec77a754fc4121/Screenshot-2024-06-04-at-17.15.16.png" data-mid="212299517" border="0" data-scale="65" alt="5 / 6" data-caption="5 / 6" src="https://freight.cargo.site/w/1000/i/ce0b227a0dda62a5177f56002d5178b8604236f240eb7163daec77a754fc4121/Screenshot-2024-06-04-at-17.15.16.png" /> <img width="1762" height="1328" width_o="1762" height_o="1328" data-src="https://freight.cargo.site/t/original/i/c16d48ec498da9df04f1f496ab8186afffff81620f092862ceed6a53d8da78dc/Screenshot-2024-05-16-at-20.13.03.png" data-mid="211078008" border="0" data-scale="83" alt="6 / 6" data-caption="6 / 6" src="https://freight.cargo.site/w/1000/i/c16d48ec498da9df04f1f496ab8186afffff81620f092862ceed6a53d8da78dc/Screenshot-2024-05-16-at-20.13.03.png" /> https://schtinter.net/lock-in Tue, 26 Dec 2023 23:59:39 +0000 schtinter.net https://schtinter.net/lock-in 2022– &nbsp; &nbsp; &nbsp;&nbsp; The Lock-In The Lock-In never ends. Consisting entirely of pub footage from the British soap opera ‘EastEnders’, it is endless inasmuch as its source is endless and its maker living. The Lock-In premiered as a 96-hour ‘working-week’ installation as part of Conditional Cinema at Oberhausen International Short Film Festival from 5–8 May 2022, screening day and night without pause or repeat. It was then presented throughout July at the Barbican Centre. In June 2022, The Lock-In toured the real pubs of London's East End. Each venue showed a year in a day, with an average screening duration of ten hours. Attendance was free for drinkers. The most recent instalment of The Lock-In took place in Ostend in May 2024: three years were screened across three pub locations in a single day. The Lock-In resumes in 2025 at the Barbican Centre (here for tickets). For more information and future lock-ins see the dedicated site: the-lock.in (back) ‘Interesting project!’(Anita Dobson [Angie Watts]) ‘An epic film . . . the Warholian result is a spellbinding – and frequently baffling – meditation on time.’ (Jonathan Jones, The Guardian) ‘The Lock-In when shown in pubs is Marcel Duchamp's urinal for the meta-saturated 21st century. But in this case, Schtinter has put the urinal back into the toilet.’(Gareth Evans, Adjunct Moving Image Curator, Whitechapel Gallery)‘A Buñuelian nightmare in which it’s your round, every round, for the rest of time.’(Dan Fox) ‘You feel pissed just watching it.’(Matthew Harle, Sight &amp; Sound) ‘Amazing project!’(Joanna Hogg) <img width="600" height="600" src="https://freight.cargo.site/w/600/q/75/i/fc7b9937e6bfedf8aadaca8c8a699f3d477f3f3bf80438ae19dc95260c42f670/ToHellWithTime_White2.gif" style="width: 69.039425px; height: 69.039425px;" data-scale="35"> <img width="1560" height="1166" width_o="1560" height_o="1166" data-src="https://freight.cargo.site/t/original/i/2b9d63161c5ece5d6358980d8dbf2c85d4a10700ea4dee4f47c8ce97100c418c/Screenshot-2022-05-11-at-11.03.14.png" data-mid="214610745" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/2b9d63161c5ece5d6358980d8dbf2c85d4a10700ea4dee4f47c8ce97100c418c/Screenshot-2022-05-11-at-11.03.14.png" /> <img width="1560" height="1170" width_o="1560" height_o="1170" data-src="https://freight.cargo.site/t/original/i/553ed7629c78aae3160bfd310d9557c64997c86a2e87a47aeaf0a8a1e523e76e/Screenshot-2022-05-11-at-11.03.34.png" data-mid="214610746" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/553ed7629c78aae3160bfd310d9557c64997c86a2e87a47aeaf0a8a1e523e76e/Screenshot-2022-05-11-at-11.03.34.png" /> <img width="2362" height="1577" width_o="2362" height_o="1577" data-src="https://freight.cargo.site/t/original/i/0b498545350f860adddc58189c60f9e7f6079182a4e3b690f9d63cf55cf8525e/20220509IKF_3421-OBERHAUSEN.jpg" data-mid="200163243" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/0b498545350f860adddc58189c60f9e7f6079182a4e3b690f9d63cf55cf8525e/20220509IKF_3421-OBERHAUSEN.jpg" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d05133912a3cecea92f37688ae4c91512a921ca36ae8e2d72281e439b1c04b64/image00025.jpeg" data-mid="200163241" border="0" src="https://freight.cargo.site/w/1000/i/d05133912a3cecea92f37688ae4c91512a921ca36ae8e2d72281e439b1c04b64/image00025.jpeg" /> <img width="3858" height="3822" width_o="3858" height_o="3822" data-src="https://freight.cargo.site/t/original/i/1c057f9bce556019c4e4824a1da07389b662d6865983af6f90aaa65f768fba9f/DSC00091-copy-site-selection.jpeg" data-mid="200163245" border="0" src="https://freight.cargo.site/w/1000/i/1c057f9bce556019c4e4824a1da07389b662d6865983af6f90aaa65f768fba9f/DSC00091-copy-site-selection.jpeg" /> https://schtinter.net/important-books Tue, 26 Dec 2023 23:52:41 +0000 schtinter.net https://schtinter.net/important-books 2021–22 &nbsp;&nbsp; Important Books (or, Manifestos Read by Children)May 2021–May 2022 at Whitechapel Gallery(back) 86. The Marriage of Heaven and Hell by William Blake (Girl, 10, Salford) 85. Manifesto for the Natural Death of the Work of Art by Frieder Rusmann&nbsp;(Girl, 9, Shropshire) 84. Manifesto of Equals by Sylvain Maréchal&nbsp;(Girl, 9, Brent) 83. Polypoetry Manifesto by Enzo Minarelli&nbsp;(Boy, 9, West Midlands) 82. Prairie Fire Manifesto [excerpt] by the Weather Underground (Girl, 9, Brent) 81. Realist Manifesto by Gustave Courbet (Boy, 10, West Midlands) 80. AfriCobra Manifesto by Jeff R. Donaldson (Girl, 9, Brent) 79. Radical Artists’ Manifesto by Arp, Baumann, Eggeling, Giacometti, Helbig, Hennings, Janco, Morach, Richter(Boy, 9, West Midlands) 78. #Accelerate Manifesto: For an Accelerationist Politics [excerpt] by Alex Williams and Nick Srnicek (Girl, 9, Brent) 77. Feminist Manifesto by Mina Loy (Girl, 9, Brent) 76. Free International University Manifesto by Joseph Beuys and Heinrich Böll (Girl, 10, Salford) 75. The Living Theatre Declaration (Boy, 9, West Midlands) 74. Vigilanti Curi: On Motion Pictures by Pope Pius XI&nbsp;(Girl, 9, Brent) 73. V. Vale’s New Year’s Resolutions 2011 (Girl, 9, Brent) 72. Manifesto in a Clear Language by Antonin Artaud (Girl, 10, Salford) 71. The Use of Free Time by The Situationist International (Girl, 9, Shropshire) 70. On the Art of the Cinema by Kim Jong-il (Girl, 10, Salford) 69. Bust by IT (Boy, 10, North London) 68.&nbsp;Aruša Theatre Manifesto (Girl, 9, Shropshire) 67. Manifesto 190199 by Samantha du Raeno / babel (Girl, 9, Shropshire) 66. Where BIT’s At by BIT Information Servive (Boy, 9, North London) 65. Futurist Manifesto by Filippo Tommaso Marinetti (Girl, 10, Salford) 64. No More Nations by B.A.M.N. (By Any Means Necessary) (Boy, 11, South Yorkshire) 63. Singles Manifesto by Marie Edwards (Girl, 9, Cambridgeshire) 62. Manifesto by Willem van Spronsen (Boy, 10, North London) 61. Arson News: The Day of the Triffids by Anonymous (Boy, 9, North London) 60. Manifesto Prole Art by Theo Van Doesburg (Girl, 10, West Yorkshire) 59. Black Manifesto by the National Black Economic Development Conference (Girl, 8, East London) 58. Dark Mountain Manifesto by Dougald Hine and Paul Kingsnorth&nbsp;(Girl, 10, West Yorkshire) 57. Situationist Manifesto by Guy Debord (Boy, 11, South Yorkshire) 56. Indictment Speech by Jerry Rubin (Boy, 9, North London) 55. A Slap in the Face of Public Taste by David Burliuk, Alexander Kruchenykh, Vladmir Mayakovsky, Victor Khlebnikov (Boy, 11, South Yorkshire) 54. Ecosex Manifesto (2.0) by Annie Sprinkle and Beth Stephens (Boy, 9, North London) 53. Women in the Year 2000 by Carolee Schneemann (Girl, 9, Cambridgeshire) 52. Industrial Society and Its Future by Ted Kaczynski (Boy, 10, North London) 51. The Book of Revelation [excerpt] by St. John (Girl, 9, Shropshire)(full two-hour recording to premiere on Resonance FM on Christmas day at 2pm GMT; recording also subject to a limited release by purge.xxx) 50. The Theatre and the Plague by Antonin Artaud (Boy, 11, South Yorkshire) 49. Manifesto of the Paris Commune’s Federation of Artists (Girl, 9, Shropshire) 48. Dialectics of Liberation by The Institute for Phenomenlogical Studies, London (Boy, 9, West Midlands) 47. The Turner Prize by The Stuckists (Girl, 10, Salford) 46. Maxims and Arrows by Friedrich Nietzsche (Girl, 10, West Yorkshire) 45. A Familiar Preface by Joseph Conrad (Girl, 10, West Yorkshire) 44. We Hold the Rock by Indians of All Tribes (Girl, 8, East London) 43. Truisms by Jenny Holzer (Girl, 9, Cambridgeshire) 42. Manifesto of Lettrist Poetry by Isidore Isou (Girl, 10, Salford) 41. Four Changes by Gary Snyder (Girl, 9, Cambridgeshire) 40. Jollywood Manifesto by Ciné Institute, Haiti (Girl, 9, Brent) 39. Statement of Principles by Maya Deren (Girl, 9, Brent) 38. Metaphors on Vision by Stan Brakhage (Girl, 8, East London) 37. Prolegomena for All Future Cinema by Guy Debord (Girl, 9, Brent) 36. Anti-100 Years of Cinema Manifesto by Jonas Mekas (Girl, 8, East London) 35. Statement by Kenneth Anger (Girl, 9, Brent) 34. Barefoot Filmmaking Manifesto by Sally Potter (Girl, 10, Salford) 33. The Vow of Chastity by Lars von Trier &amp; Thomas Vinterberg (Girl, 9, Shropshire) 32. Manifesto for Coexistence in Film and Life by Andrea Luka Zimmerman (Girl, 8, East London) 31. Digital Dekalogo by Khavn (Boy, 9, North London) 30. Minnesota Declaration by Werner Herzog (Girl, 11, West Yorkshire) 29. Against Lists by Elena Gorfinkel (Girl, 9, Cambridgeshire) 28. The Combahee River Collective Statement (Girl, 8, East London) 27. Communiques 7 + 8 by The Angry Brigade (Girl, 9, North London) 26. Manifesto by Agnes Denes (Girl, 9, Shropshire) 25. WITCH Manifesto by Women’s International Terrorist Conspiracy from Hell (Boy, 9, North London) 24. Revolution in Dreams by (By) Any Means Necessary (Boy, 10, North London) 23. #AltWoke Manifesto by ANON (Boy, 10, North London) 22. Museum of Loneliness by Chris Petit (Girl, 6, Kent) 21. Dada Manifesto by Francis Picabia (Girl, 6, Kent) 20. Dada Manifesto by Hugo Ball (Girl, 11, West Yorkshire) 19. A Declaration from the Poor Oppressed People of England by Gerrard Winstanley (Boy, 11, South Yorkshire) 18. Manifesto (Architecture &amp; War) by Lebbeus Woods (Girl, 10, Salford) 17. 100 Impossible Artworks by Dora García (Girl, 9, Shropshire) 16. BLAST [excerpt] by Wyndham Lewis (Boy, 9, North London) 15. Wear Sunscreen by Mary Schmich (Girl, 6, Kent) 14. Skull Trepanation by Hugo Bart Huges (Boy, 10, North London) 13. Pandrogeny Manifesto by Breyer P-Orridge (Girl, 11, West Yorkshire) 12. Auto-Destructive Art by Gustav Metzger (Girl, 9, Cambridgeshire) 11. Anarchy &amp; The Sex Question by Emma Goldman (Girl, 10, Salford) 10. Cinema Manifesto by Stavros Tornes (Boy, 11, South Yorkshire) 9. The Theatre of Cruelty (First Manifesto) by Antonin Artaud (Boy, 11, South Yorkshire) 8. Ten-Point Program (Black Panther Party Platform) by Huey P. Newton and Bobby Seale (Girl, 8, East London) 7. SCUM Manifesto [excerpt] by Valerie Solanas (Boy, 9, North London) 6. Abolish Restaurants [excerpt] by Prole (Boy, 10, North London) 5. Women’s Art: A Manifesto by Valie Export (Girl, 9, Cambridgeshire) 4. The Cosmic Redistribution Service by The Cosmic Redistribution Service [under the auspices of The Mayor's Committee for Civic Renaissance, The Free City Planning Council and with the co-operation of Grandma Shulman's Food Distribution Kibbutzim] (Girl, 9, Shropshire) 3. Ban The Bomb (Brussels Provocation No. 1)&nbsp;by Provo / The Provo Liquidation Committee (Boy, 9, West Midlands) 2.&nbsp;Sojourner Truth’s speech delivered to the Women’s Rights Convention in Akron, Ohio, 1851 (Girl, 6, Kent) 1. The Communist Manifesto by Karl Marx &amp; Friedrich Engels (Boy, 8, South East London) (back) https://schtinter.net/dear-john Tue, 26 Dec 2023 23:52:58 +0000 schtinter.net https://schtinter.net/dear-john 2021&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Dear John / The Public Servant’s Favourite John Lilbourne contacted all 650 Members of Parliament in Britain asking each to share with him their favourite artwork in their possession. 101 responses were selected for exhibition, excerpted below or viewable in full&nbsp;here.(back) <img width="745" height="1061" width_o="745" height_o="1061" data-src="https://freight.cargo.site/t/original/i/5a0c9def3e7453806d647c74c831efc4b69d8939e86a20920d5d8c99854f70e2/DearJohn_imagespreads_3-copy.jpeg" data-mid="200226843" border="0" data-scale="76" alt="1 / 2" data-caption="1 / 2" src="https://freight.cargo.site/w/745/i/5a0c9def3e7453806d647c74c831efc4b69d8939e86a20920d5d8c99854f70e2/DearJohn_imagespreads_3-copy.jpeg" /> <img width="745" height="1061" width_o="745" height_o="1061" data-src="https://freight.cargo.site/t/original/i/e54f402ef3695c50f129b299bbd7bfe3b0d37e81f9aa458b576737d054eac374/DearJohn_imagespreads_3-copy-2.jpeg" data-mid="200226844" border="0" alt="2 / 2" data-caption="2 / 2" src="https://freight.cargo.site/w/745/i/e54f402ef3695c50f129b299bbd7bfe3b0d37e81f9aa458b576737d054eac374/DearJohn_imagespreads_3-copy-2.jpeg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/7e02ddebfbe5c0030b291afa46be4d0c3e75644d7d4a10b5dfbf8505f064343c/DearJohn_imagespreads_28.jpg" data-mid="200162981" border="0" data-scale="100" alt="1 / 8" data-caption="1 / 8" src="https://freight.cargo.site/w/1000/i/7e02ddebfbe5c0030b291afa46be4d0c3e75644d7d4a10b5dfbf8505f064343c/DearJohn_imagespreads_28.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/635e3666542763eec8b23134f6df634b4709b025ff305fb5b16e144c5b79f810/DearJohn_imagespreads_30.jpg" data-mid="200162982" border="0" alt="2 / 8" data-caption="2 / 8" src="https://freight.cargo.site/w/1000/i/635e3666542763eec8b23134f6df634b4709b025ff305fb5b16e144c5b79f810/DearJohn_imagespreads_30.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/a39936fc821664256337439b29b6aed1171b2537f82291a7ad822d77942a2149/DearJohn_imagespreads_5.jpg" data-mid="200162975" border="0" data-scale="100" alt="3 / 8" data-caption="3 / 8" src="https://freight.cargo.site/w/1000/i/a39936fc821664256337439b29b6aed1171b2537f82291a7ad822d77942a2149/DearJohn_imagespreads_5.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/448e0b6599f11261bc9433b1ffc8d74ee4af3b43a7361447f8b1db17e8bca80f/DearJohn_imagespreads_26.jpg" data-mid="200162980" border="0" alt="4 / 8" data-caption="4 / 8" src="https://freight.cargo.site/w/1000/i/448e0b6599f11261bc9433b1ffc8d74ee4af3b43a7361447f8b1db17e8bca80f/DearJohn_imagespreads_26.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/bf278ab239322871100b87fca5e35b2585842b0ec2a49f8ce7468da21e2cb2cc/DearJohn_imagespreads_25.jpg" data-mid="200162979" border="0" alt="5 / 8" data-caption="5 / 8" src="https://freight.cargo.site/w/1000/i/bf278ab239322871100b87fca5e35b2585842b0ec2a49f8ce7468da21e2cb2cc/DearJohn_imagespreads_25.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/55d6452267716926ecda92aa6da43e8bd6fc2151a1aa1546e07c4e7373c4c376/DearJohn_imagespreads_16.jpg" data-mid="200162978" border="0" alt="6 / 8" data-caption="6 / 8" src="https://freight.cargo.site/w/1000/i/55d6452267716926ecda92aa6da43e8bd6fc2151a1aa1546e07c4e7373c4c376/DearJohn_imagespreads_16.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/6f913dff21b57d8a77d9fb580a63e28f75a9ec594b7dc4b498c18e82d21bcf8a/DearJohn_imagespreads_71.jpg" data-mid="200162984" border="0" alt="7 / 8" data-caption="7 / 8" src="https://freight.cargo.site/w/1000/i/6f913dff21b57d8a77d9fb580a63e28f75a9ec594b7dc4b498c18e82d21bcf8a/DearJohn_imagespreads_71.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/bcb57cced3a587d55c705d60cb288a331713247993cdd0f3dc4550165d8b8f38/DearJohn_imagespreads_59.jpg" data-mid="200162983" border="0" alt="8 / 8" data-caption="8 / 8" src="https://freight.cargo.site/w/1000/i/bcb57cced3a587d55c705d60cb288a331713247993cdd0f3dc4550165d8b8f38/DearJohn_imagespreads_59.jpg" /> https://schtinter.net/festival-of-great-britain Wed, 27 Dec 2023 17:06:13 +0000 schtinter.net https://schtinter.net/festival-of-great-britain 2019 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Festival of Great Britain &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; and Northern Ireland<img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a5b78e3999d4eddbe79e8264231f7b4a76fb51591a3ceb15b437adc2e50af8e6/IMG_6144_Lucy_FOB_SS-rich.jpeg" data-mid="200204117" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/a5b78e3999d4eddbe79e8264231f7b4a76fb51591a3ceb15b437adc2e50af8e6/IMG_6144_Lucy_FOB_SS-rich.jpeg" /> <img width="1232" height="370" width_o="1232" height_o="370" data-src="https://freight.cargo.site/t/original/i/f4f9dec9b2eb02bb4975fff1eb8b840ac82059060240065e1d5a89f5c426dcfc/Screenshot-2020-05-09-at-14.15.24.png" data-mid="200204122" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/f4f9dec9b2eb02bb4975fff1eb8b840ac82059060240065e1d5a89f5c426dcfc/Screenshot-2020-05-09-at-14.15.24.png" /> (click correction for London Review of Books write-up) The Festival of Great Britain and Northern Ireland was announced in 2018 by the British government. It would take place in 2022 and celebrate the success of an independent Britain. Stanley Schtinter decided 2022 was too long to wait and appointed himself director. It happened on October 31 in 2019 at The White Hotel in Salford. For those unable to travel the border was streamed live on facebook (see: The Film Not The Country).(back) &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d231c9cca763eaeb3115c6f8ae2d80421a0f7bf87414bf6f4a6750d84f3a8c3c/IMG_4537.jpeg" data-mid="200204123" border="0" data-scale="42" alt="1 / 6" data-caption="1 / 6" src="https://freight.cargo.site/w/1000/i/d231c9cca763eaeb3115c6f8ae2d80421a0f7bf87414bf6f4a6750d84f3a8c3c/IMG_4537.jpeg" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/90fb4228ae35a7b8f2a5b2576e22622df8a8f2bdee393647994916b3f075d893/IMG_4538.jpeg" data-mid="200204124" border="0" alt="2 / 6" data-caption="2 / 6" src="https://freight.cargo.site/w/1000/i/90fb4228ae35a7b8f2a5b2576e22622df8a8f2bdee393647994916b3f075d893/IMG_4538.jpeg" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/59a8e27a5a14946e586a3994dceb2082e0a70f27831e0c9fad0d81707544c797/IMG_4539.jpeg" data-mid="200204125" border="0" alt="3 / 6" data-caption="3 / 6" src="https://freight.cargo.site/w/1000/i/59a8e27a5a14946e586a3994dceb2082e0a70f27831e0c9fad0d81707544c797/IMG_4539.jpeg" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c2e7848cc1b6c879874dba16bfc7ad8a5892d843ac8638811d9824af2266e524/IMG_4540.jpeg" data-mid="200204126" border="0" alt="4 / 6" data-caption="4 / 6" src="https://freight.cargo.site/w/1000/i/c2e7848cc1b6c879874dba16bfc7ad8a5892d843ac8638811d9824af2266e524/IMG_4540.jpeg" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/41b3caf671657765bb70e0a49d06485fbd298926ef8e57fc61172211784adacf/IMG_4541.jpeg" data-mid="200204127" border="0" alt="5 / 6" data-caption="5 / 6" src="https://freight.cargo.site/w/1000/i/41b3caf671657765bb70e0a49d06485fbd298926ef8e57fc61172211784adacf/IMG_4541.jpeg" /> <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b7612d2558dbc193f69031c2dee72b66279e0bd0c478828ba7af78d93c7a9ca1/IMG_4542.jpeg" data-mid="200204128" border="0" alt="6 / 6" data-caption="6 / 6" src="https://freight.cargo.site/w/1000/i/b7612d2558dbc193f69031c2dee72b66279e0bd0c478828ba7af78d93c7a9ca1/IMG_4542.jpeg" /> ‘With obligatory masks, “social distancing”, quarantine areas and an empty nightclub, Schtinter's Festival of Great Britain and Northern Ireland was an eerily prescient view of the country in light of the global pandemic that arrived shortly afterwards.’(Light Cone) <img width="1374" height="1030" width_o="1374" height_o="1030" data-src="https://freight.cargo.site/t/original/i/6bdbc6da759567e41900021c3b2fa073d8617ed9b3d24d627b8b8389808a41f9/Screenshot-2020-01-29-at-18.18.37.png" data-mid="200204119" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6bdbc6da759567e41900021c3b2fa073d8617ed9b3d24d627b8b8389808a41f9/Screenshot-2020-01-29-at-18.18.37.png" /> <img width="1376" height="1034" width_o="1376" height_o="1034" data-src="https://freight.cargo.site/t/original/i/2b143bd04de708e571f673118472cc89fdd688b29fafd9c76475983a272d48c8/Screenshot-2020-01-29-at-18.18.54.png" data-mid="200204118" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2b143bd04de708e571f673118472cc89fdd688b29fafd9c76475983a272d48c8/Screenshot-2020-01-29-at-18.18.54.png" /> <img width="1374" height="1030" width_o="1374" height_o="1030" data-src="https://freight.cargo.site/t/original/i/0f1eeb4f3db92d18b29a159007b1a0fdd292e26fecc7ba639fe43f0f4191cdd7/Screenshot-2020-01-29-at-18.18.12.png" data-mid="200204121" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0f1eeb4f3db92d18b29a159007b1a0fdd292e26fecc7ba639fe43f0f4191cdd7/Screenshot-2020-01-29-at-18.18.12.png" />